The viola chin rest is used to remove the gap between the chin and neck where the instrument is held. Since no two player has the same measurement, it is important the tool is adjusted correctly so it can rest right. There was a time when the use of the face rest was not considered as necessary. However, it was found to be necessary to allow the player to play the more difficult pieces.
If installed properly, it creates no disturbance to the player during performance of the instrument. The appropriate placement of the support is determined by positioning it on the position it normally takes while performance is ongoing. You can use the help of a mirror to determine the correct position of the chin. This in turn defines the correct design of the support to buy. The cup location might be in the center or towards the right or left.
Follow the instruction from the manufacturer that accompanies the tool closely. Place the item on the tail end of the device and tighten the clamps slowly. Stop turning the screw if the piece is snugly in place. Take care not to tighten to hard or the instrument will be damaged.
Put the accessory to the test by playing a few lines. If you are uncomfortable with the accessory, make the necessary adjustments before using it in the actual performance. Determine the cause of the problem before any solution can be applied. A thin oil cream layer placed on the chin can help you to find the source of the problem.
Place the face carefully on the tool using the position that is used normally during a performance. Hold it steady while the instrument is removed. Check if the oily mark on the rest coincides with the proper position. If not, apply the adjustments.
Using the marks as guide, determine the areas on the accessory that needs to be flattened. Slide a whittling knife or any sharp tool on the support with the direction away from your body. Use gloves for this purpose and do it for all the sharp areas of the face support until all the sharp areas are flattened.
Provide padding in the surfaces of the face support that comes in contact with bones of the face and neck. You can utilize a thick washcloth for this purpose. Cut it into several small pieces, the size of which enough to cover the surfaces in contact with facial bones. Attach the improvised padding to the accessory using a rubber band.
A moleskin can be utilized in place of the improvised washcloth padding if it is not thick enough. The moleskin is a kind of foam that has a side fitted with an adhesive. Cut a piece from the roll that is sufficient to blanket the hard surfaces and protect the bones of the face.
Spread the foam evenly on the rest and make sure the adhesive side is not crumpled. Press the covering for a minimum of minute to be sure it is set firmly and will not peel off. If the viola chin rest continues to give you problems after the adjustments are applied, buy a new one made of different material.
If installed properly, it creates no disturbance to the player during performance of the instrument. The appropriate placement of the support is determined by positioning it on the position it normally takes while performance is ongoing. You can use the help of a mirror to determine the correct position of the chin. This in turn defines the correct design of the support to buy. The cup location might be in the center or towards the right or left.
Follow the instruction from the manufacturer that accompanies the tool closely. Place the item on the tail end of the device and tighten the clamps slowly. Stop turning the screw if the piece is snugly in place. Take care not to tighten to hard or the instrument will be damaged.
Put the accessory to the test by playing a few lines. If you are uncomfortable with the accessory, make the necessary adjustments before using it in the actual performance. Determine the cause of the problem before any solution can be applied. A thin oil cream layer placed on the chin can help you to find the source of the problem.
Place the face carefully on the tool using the position that is used normally during a performance. Hold it steady while the instrument is removed. Check if the oily mark on the rest coincides with the proper position. If not, apply the adjustments.
Using the marks as guide, determine the areas on the accessory that needs to be flattened. Slide a whittling knife or any sharp tool on the support with the direction away from your body. Use gloves for this purpose and do it for all the sharp areas of the face support until all the sharp areas are flattened.
Provide padding in the surfaces of the face support that comes in contact with bones of the face and neck. You can utilize a thick washcloth for this purpose. Cut it into several small pieces, the size of which enough to cover the surfaces in contact with facial bones. Attach the improvised padding to the accessory using a rubber band.
A moleskin can be utilized in place of the improvised washcloth padding if it is not thick enough. The moleskin is a kind of foam that has a side fitted with an adhesive. Cut a piece from the roll that is sufficient to blanket the hard surfaces and protect the bones of the face.
Spread the foam evenly on the rest and make sure the adhesive side is not crumpled. Press the covering for a minimum of minute to be sure it is set firmly and will not peel off. If the viola chin rest continues to give you problems after the adjustments are applied, buy a new one made of different material.
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